Cob gallery is pleased to present ‘Bruised’, the debut UK solo exhibition of German artist Fabian Treiber. 

Larkin Durey is delighted to present a survey of the following artists that demonstrates the breadth and history of the gallery programme.

This exhibition will put on display works covering almost every aspect of Surrealist creativity and adventure, culled from the combined worlds of art, writing (poetry and prose, political and cultural manifestoes, etc.), and ephemeral material of every sort.

This exhibition accentuates Ruozhe Xue’s ongoing musings on painting as an inherently time-based medium. For them, ‘time is not only embedded in the image but also in the very materiality of the painting.

Fifty works on show from Michael Craig-Martin’s (b.1941) distinctive vocabulary include ordinary household objects, flowers and fruit, reinterpretations of Old Masters and works made in homage to the achievements of some of the twentieth-century’s greatest artists, designers and architects.

For the past 30 years, Tiravanija has been at the forefront of conducting a collective dimension for contemporary art. 

The Modern Muse will showcase artworks by Pablo Picasso, David Hockney, Andy Warhol and Banksy, to name but a few. Each work on display in this selling exhibition will demonstrate the important role the muse has always played in the life of an artist, as well as the way in which artists themselves become each other’s muses.

‘Neon Jungle Nocturne’ presents works by Long Huang, Yi Liu, and Grace Mattingly. The three artists’ latest paintings build on their previous explorations of animal motifs, spatial-temporal poetics, and the ambiguity of human experience.

Anderson’s use of a rotary tool to sand down layers of paint strikes a line of continuity between his early and current practice. The exhibition’s title takes inspiration from this technique. 

Images of books and books of images are, it would appear, equally fascinating to Heman Chong. As are libraries and labyrinths; the promise of revelation and the prospect of confusion can, after all, each be delectable in their own way.

Inspired by these lines from Forugh Farrokhzad’s celebrated poem The Window, Aida Mahmudova’s latest exhibition invites viewers into a deeply introspective journey, exploring solitude, nostalgia, and the yearning for inner and outer freedom.

The exhibition strives to reinterpret the ancient through the lens of Italian artists Giorgio de Chirico, Salvo and Giulio Paolini and Mexican artist Jorge Méndez Blake.

Artist Yeonsu Ju explores themes of longing, memory, and ritual through the simple yet powerful act of gathering at a table. 

This show marks a pivotal moment in his career, showcasing six monumental compositions that explore the psychological journey of a character that he has created, navigating his way through a complex and unforgiving world.

The World at Our Command illustrates the importance of intimacy within platonic relationships. Defined by overlapping compositions that echo surrealist photomontages, Essers’ fragmented canvases are full of limbs, bodies, clothes and accessories taken from candid photographs of her friends.

The works in Chronoplasticity attempt to fold or stretch time. They ask what and how histories should be told, and consider new conceptions of the ‘historical’, connecting the no-longer to the not-yet. Big events and political struggles of the last half century echo in the show, and many works speak to the tension between the personal and larger surrounding forces.

At its core, Kevin Klamminger’s first solo exhibition with Unit explores an interplay of contradictory forces. Influenced by a balance between conscious and unconscious minds, Promethean Approach presents a series of paintings that combine an almost hyperrealist visual language with a surreal atmosphere.

A key figure in British art, Michael Craig-Martin is one of the most influential artists and teachers of his generation.

From 4 October to 13 December 2024, Ordovas presents Golds, an exhibition exploring one of the most symbolic colours in the history of art, and how it has been used and represented in the work of significant artists from the twentieth and twenty-first centuries.

Buggenhout’s unique and compelling oeuvre consists of autonomous, seemingly disparate groups of sculptural objects. Resisting interpretation and devoid of symbols, the works engage the viewer in a dialogue on our inability to comprehend the complexity of the world. d outer freedom.

On view will be a selection of recent works on linen, ranging from large-scale to more intimate size, displaying Balliano’s unique brand of geometric abstraction developed over the last several years.

Baber is best known for her long-life dedication to study biomorphic forms and the infinite possibilities of light and colour through painting. Showcasing a selection of significant achievements from throughout her career, the works on view span from 1964 to just a year before her untimely death in 1981, and chronicle her experimentation between different mediums, intensities of color, saturation, composition, and forms.

Through an evocative exploration of memory and nostalgia, Vanden Berge’s debut UK solo exhibition reveals a body of work that merges suburban landscapes with dreamlike imagery, capturing a haunting, cinematic view of the ordinary.

André Butzer’s Synthetic Paintings are a challenge to our image of man. The towering, composite bodies are permeated by technology, maltreated by devices and pieces of apparatus, destroyed from within.

The exhibition includes rare works from Whitten’s landmark, monochromatic Greek Alphabet series (1975 – 1978), which was the focus of a dedicated exhibition at Dia Beacon, New York NY, (2022 – 2023). The exhibition at Hauser & Wirth London goes beyond the monochrome to also display Whitten’s experimentation with color during this process-based period.

This group exhibition is dedicated to the dynamic conversations among a group of expatriate painters in Paris in the years immediately following the Second World War, spurring an extraordinary body of work by artists including James Bishop, Sam Francis, Carmen Herrera, Shirley Jaffe, Paul Jenkins, Ellsworth Kelly, and Joan Mitchell.

The exhibition brings Adkins’s early sculptures from the 1980s into conversation with work produced in the last decade of his life, drawing out the persisting themes developed, elaborated and refined throughout his career, before his untimely death in 2014.

This exhibition explores the evolution these ideas and techniques in post-war European art through a selection of artists for whom colour was their primary medium, including Claude Bellegarde who experimented with Chroma Therapy and its physiological affects; James Pichette who sought to use colour to resonate with the energy of jazz music; and Swiss Art Concrete painter Léo Leuppi whose paintings were designed to evoke a serene harmony.

The artist has developed her own technique of applying small pieces of the traditionally and locally made hanji paper onto the surface of the canvas to provide depth and texture to her subjects.

Salvo and Andreas Schulze both fully embrace the tradition of painting, not trying to deconstruct or reimagine the medium, but rather using it to instigate and reinvigorate our understanding of the world through color, light, texture and mood.

Following their acclaimed major survey, What Happened, at Whitechapel Gallery last year, Nicole Eisenman debuts new works at Sadie Coles HQ, London.

David Nash’s lifelong exploration of the nature of wood and its habitats has established him as one of Britain’s foremost artists working in sculpture and environmental installations.

Ybáñez states that the essence of his work is to express the universal emotions that exist in our shared extra-dimensional space. 

Second Act is defined as “a second period or stage of something, especially in which its initial aspects are followed up, expanded, or further developed”.

Through showing the work of both artists together, in testament to their 50 year enduring friendship, this exhibition emphasises how both artists, as pioneers and innovators, made their work in an ongoing spiritual quest to express an intangible truth.

O’Brien describes the objects and materials he incorporates in his work as “eloquent texts” that encode cultural and historical meaning. Manipulating them by twisting, binding, stretching or puncturing feels charged with the erotic and probes at taboo, fetish and the commodification of queer aesthetics.

Encompassing sculpture, performance, painting, collage and film—all of which carry an air of wit, playfulness, and radical subversion—the show will be an opportunity to experience all aspects of Nicola L.’s multidisciplinary practice.

In her first solo exhibition at a major UK institution, Pamela Phatsimo Sunstrum fills The Curve with theatrical installations, building an imagined world in which to display her paintings.

An unparalleled selection of the world’s leading photographers, telling the story of modern and contemporary photography.

Mirga-Tas is known for her textile collages created with materials and fabrics that are mainly gathered from family and friends. Her visual storytelling comes from a feminist perspective and challenges stereotypical representations of Roma people.

Featuring artwork by over 30 Indian artists, this major exhibition is bookended by two transformative events in India’s history: Indira Gandhi’s declaration of a state of emergency in 1975 and the Pokhran nuclear tests in 1998.

Leap Year is the first major survey of the internationally celebrated artist in the UK. It presents a comprehensive study of Yang’s work from the early 2000s to today, highlighting how her artworks resonate on a personal and sensory level while also speaking to social, political and spiritual ideas.

An Awkward Relation is a new exhibition from artist and educator Sonia Boyce (b.1962, London, UK). It has been especially conceived to be in dialogue with the exhibition of Brazilian artist Lygia Clark, The I and the You showing at the Gallery concurrently.

For over 20 years she has been making sculptures that ask you to reconsider your sense of self, space and relation to the object.

Inspired by the ancient Roman temple of Mithras discovered on the Bloomberg site, Macuga invites viewers to delve into the rich tapestry of Roman mythology, particularly the intriguing narrative surrounding the god Mithras, to whom the temple was dedicated.

The Griffin Catalyst Exhibition: Monet and London. Views of the Thames realises Monet’s unfulfilled ambition of showing this extraordinary group of paintings in London, and just 300 metres from the Savoy Hotel where many of them were painted.

Archive of Dissent marks one of the most extensive displays of Kennard’s work to date and has been specially conceived for Whitechapel Gallery. uo.

Featuring more than 50 works from the 1940s onwards, this exhibition explores Francis Bacon’s deep connection to portraiture and how he challenged traditional definitions of the genre.

Walk with a pair of lovers beneath a starry night. Look up at swirling clouds and cypress trees swaying in the wind. Stay a little while in Van Gogh’s favourite park, the ‘Poet’s Garden’, or under a shady tree in Saint-Rémy.

The third solo show of the artist at the gallery is dedicated to sharing and spreading the notion of the decaying of our planet, one of the themes for Le Bas’s practice increasingly important in recent years.

Zanele Muholi is one of the most acclaimed photographers working today, and their work has been exhibited all over the world. With over 260 photographs, this exhibition presents the full breadth of their career to date. The exhibition is based on the artist’s 2020-21 exhibition at Tate Modern and will include new works produced since then.

A collaboration between artists Holly Herndon and Mat Dryhurst, and Serpentine Arts Technologies, The Call proposes new cultural, legal, and technical rituals for art in the age of AI.

A major exhibition exploring the design evolution of one of the world’s most famous dolls: Barbie®. Journey into the Barbie universe and discover over 250 remarkable objects, with rare, unique and innovative dolls dating from 1959 to the present day.

Featuring 18 large-scale portraits, Silent Testimony is a display by Belfast-born artist Colin Davidson. Connected by the theme of loss, the display reveals – through portraiture – the personal stories and experiences of those whose lives were impacted, and continue to be affected, by the Troubles, a 30-year period of conflict in Northern Ireland.

This exhibition brings together the widest range of drawings from this revolutionary artistic period ever to be shown in the UK.

Since Tate Modern opened in 2000, the Turbine Hall has hosted some of the world’s most memorable and acclaimed works of contemporary art, reaching an audience of millions each year. The annual Hyundai Commission gives artists an opportunity to create new work for this unique context.

This exhibition offers insights into Picasso’s life through his art, including his complex relationships with women and his partnerships with printers, publishers and other artists.

The first exhibition of its kind exploring the extraordinary career of fashion model Naomi Campbell. Through the work of leading global designers and photographers we celebrate her creative collaborations, activism and far-reaching cultural impact.

Delve into the fantastical world of Tim Burton in this major exhibition exploring his remarkable creations and key collaborations with designers.

Your movements and interactions bring artworks to life inside Solid Light, a focused exhibition dedicated to the immersive works of Anthony McCall.